PIECE #1:
SOLSTICE (2022)
SOLSTICE is an 60-minute, 8-movement collaborative work with writer Claire Zhang, filmmaker Lukas Mackinney, and NWS fellows Eli Pandolfi and Matthew Kibort that “document[s] a process, a spiral, a cycle, one of transformation, a piece that has quite literally grown with us over time.” It is born from ancient Chinese rites, friendship, pain, and cycles of grief and love. The film component was collaborative, inspired by Jonas Mekas’ diary-film style with footage from our own lives, as well as the experimental aesthetics of Stan Brakhage.
View program notes here, full archival video here for visual perusal only (post-production still in progress)
Instrumentation
violin, live electronics, tape; Scott Li
spoken word, writing; Claire Zhang
french horn; Eli Pandolfi
percussion; Matt Kibort
film; Lukas Mackinney
Excerpt #1: vii. EQUINOX (3:58-7:08)
Excerpt #2: ii. CONVERGENCES (0:00-1:45)
PIECE #2:
TOGETHER IS CLOSE ENOUGH (2021)
TOGETHER IS CLOSE ENOUGH is a 25-minute commissioned work created in collaboration with Vim Vigor Dance studio for the University of Michigan Dance Department meant to capture the longing for touch felt in the midst of the pandemic through dance, choreographed to a lush soundscape of distorted voices, ethereal violin lines, and deconstructed ephemera.
Instrumentation
violin, live electronics, tape; Scott Li
spoken word, writing; Shannon Gillen
dance & choreography; Shannon Gillen, Jason Cianciulli, Kiley Dolaway, Marija Obradovic, Jovick Pavajeau
Excerpt #1: iv. Quartet (14:40-17:00)
Excerpt #2: vii. Skyward Duets (21:57-23:50)
PIECE #3:
Study for Violin and Electronics after
“Sweet Trip - Pro:Love:Ad” (2022)
This Study for Violin and Electronics is heavily inspired by the eminent IDM and ‘shoegaze’ rock group “Sweet Trip”, which frequently combines simple melodic lines with incredibly dense, complex glitchy percussive textures, making heavily use of Max/MSP-style buffer manipulation and granular synthesis, beat-repeats, pitch shifting, bitcrushing, flanging, and many other effects. This particular exercise is meant to explore the use of an open-source M4L device named ‘Chopper’ (available here from Rodrigo Constanzo’s website) to process various extended violin techniques within the context of IDM. In this clip, I improvised sections of electric violin with seagull glissandos, harmonic tremolos, fast portamenti, and artificial harmonics, and ran it all through Chopper, where I performed another improvisation tweaking its different parameters, effectively creating a duet with myself. The automation data can be seen in the clip on the left side of the screen in the arrangement view of Ableton Live.
Instrumentation
violin, electronics, tape; Scott Li
Excerpt #1: 0:00-1:56
Excerpt #2: 3:12-4:34
(optional live ver.)
Excerpt #3: 2:58-4:30
Warp Duo is the newly formed collaborative project between sound artists Scott Li and Levi Lu which focuses on electroacoustic improvisation utilizing acoustic instruments such as the voice and violin in combination with live electronic systems, including live processing in Max/MSP, digital feedback, modular synthesis modules, and many other systems. Wails, visceral violin scratching, and broken bow hairs accompany ethereal, reverberant soundscapes and melodies, all guided, above all, by pure feeling.
In this live performance, Levi controls “Chopper” parameters mapped to a MIDI controller in response to my violin improvisation.
PIECE #4 (optional):
a glow of the heart (2021)
a glow of the heart is an original film with poetry adapted from a longer original piece of my writing inspired by Edward Yang’s Yi Yi (2000). The surrealist work features excerpts from dialogue in Yi Yi, Arseny Tarkovsky, the wikipedia article about Clive Wearing, Jonas Mekas’ As I Was Moving Ahead, Ocassionally I Saw Brief Glimpses of Beauty, and Claire Zhang.
This film is a love letter concerning memory, loss, grief, and the Ether.
Excerpt #1: 1:53-5:25
PIECE #5 (optional):
memoriae (2019)
memoriae is a work for violin, cello, synthesizer/electronics, and fixed media which explores the narratives of nostalgia and melancholic longing for an absent something or someone that one loves—profoundly beautiful memories, places of paradise and tranquility, and incredible people that have inevitably escaped us and our lives. Combining elements of classical chamber music and ambient electronic music with spoken word from monologues in eminent filmmaker Jonas Mekas' experimental video-diary film As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty, as well as home-video footage from the composer’s own life, it expresses the pain of feeling incomplete, the longing for the faded, yet golden memories of youth, the arresting admiration for people who deeply impact our lives, and ultimately, the immeasurable gratitude for having experienced those brief moments of beauty.
Instrumentation
violin; Jerry Tong
cello; Ismael Guerrero
live electronics, tape; Scott Li
spoken word, writing; Jonas Mekas
Movements
i. fragments
ii. empty house
iii. wounds
iv. the most beautiful
v. summers
vi. —
vii. Paradise
Excerpt #1: v. summers (13:45)
Optional:
Excerpt #2: iv. the most beautiful (10:57)
Excerpt #3: vi.— (20:00)
ADDITIONAL MEDIA #1:
WARP DUO
Music for Wineglass and Electronics (2022) is an improvisation which works by recording the sound of the wineglass being resonated by Levi's hand and shifting the pitch of the wineglass to fixed consonant intervals in real time. The strength of each chord tone is then mapped to the midi controller played by me, creating an instrument that can only be played in duet; one player controls the volume, timbre, and distortion of the original wineglass sound, and the other controls pitch content, dynamics, and also distortion. In this performance, Levi also used vocal techniques to support the fundamental while also introducing other harmonies, pitch bends, and percussive textures.